Dai Chenlian :Painting Theatre|戴陈连:架上剧场

我们荣幸地宣布,Tonggallery+projects 将于20191019日举办艺术家戴陈连个展“架上剧场”。此次展览将展出戴陈连剧场表演创作概念所延展出的最新绘画实践——架上剧场,将呈现艺术家藉由剧场中虚拟时间、特定空间、动作痕迹等等语言架构和方法所进行的平面拟态作品。

平面拟态作品是艺术家近期对于媒介间关系探索的全新尝试,试图提供出另一种绘画时间的立体感受。艺术家在数年的美术馆、艺术机构、家庭、社区等剧场表演实践后,将其所获得的剧场艺术的经验以及不能施展和实现的遗憾统一了起来,纳入到近似“剧本”的绘画表达中,在艺术家称之为“架上剧场”的“剧场”形式中,他尝试将相似图形和历史事件并置勾连,精心设计图像间的关系进而得到新的表演和叙述状态,将颜料模拟的图像、色彩、结构、光线、文字进行编织和排演,将绘画动作与表演动作混淆协作进而制造出真实与设计交错的时空感。架上剧场中对于时间的剪辑、声音的安排和动作、光线的提示与艺术家以往的剧场创作保持着一致,看似是对语言中方法、叙述、错误的排演,实则是艺术家通过其擅长的多幕式叙事、对事物的抽离和对语言本身的运用来传达他对于社会表演这一宏大概念中的小人物命运的持续的关注和深入的探讨;此次展览持续至2019121日。

 

We are very pleased to announce that on 19 October 2019 Tong gallery+projects will inaugurate the solo show featuringartist Dai Chen-lian — Painting Theatre.  This show would feature the latest paintingpractice of the artist— Painting Theatre, which is based on the extendedcreative concepts of theater performance. The flat 2-dimentional mimeticartworks in this exhibition are inspired by linguistic formulation and methodssuch as the virtual temporality, specific spatiality and the motion traceetc.

The flat 2-dimentional mimetic artworks present the newest attempts ofthe artist to inquire the correlations among different media and to provide newthree-dimensional feeling about the painting temporality.  The artist has many years-experiences ofperformance in galleries, art agencies, private families and communities etc.,and he seeks to integrate the experience of theatric arts, the regrettable andunachievable performance into another form of “script” writing, albeitpainting. He tries to connect similar graphs and historical events in what hecoins as theatrical forms on the easel. He elaborately designs the correlationsamong the images to render new performance and narrative; he weaves the mimeticimages, colors, structures, light and texts into a rehearsal; he mixes thepainting actions with performative actions to generate a temporality andspatiality which is a mixture of reality and design. The editing of the time,the arrangement of sound, the reminder of light presented in this exhibition havebeen consistent with his previous performance in the theatre. It seems to be arehearsal of methods, narrative and errors in languages. However, the fact isthat by the multi-scene narrative, the abstraction of things and theapplication of language, the artist conveys his persistent concern and profoundinquiry about the destiny of nobody. This exhibition lasts till 1st December 2019.

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